 | Shop our complete selection of 519 Cristal Lighting Now! Or view More of our Stores |
| Cristal Lighting Index |
 5444-2 - Wall Sconce by Cristal Lighting - This intricately detailed 2-light wall sconce adds a classic feel to any setting.
Note:  419 - Debeney Iron Torchiere - This Debeney wrought iron torchiere floor lamp expresses imagination and individuality in an elegant yet sculptural profile. The design contrasts the smooth curves of the amber scavo glass with the naturalistic meandering of the leafy vines sporting pecans in their various stage of growth. The combination of sleek glass shapes and hand crafted metal ornament results in a delightful image of individual artistic expression.Comes in an Autumn Pecan finish and Amber Scavo glass. Utilizes an on/off line switch. Note:  5262-1 - Tudor Iron Wall Sconce - The oil-burning removable beaker held in iron support recall the origin for the design concept of this wrought iron wall sconce. Its medieval origin is vigorously apparent in this collection. Note: Bulbs are not included with this fixture.  6484-3-9 - Sheffield Multi Light Pendant - This neo-classical 3-light pendant has an amazing look. 597-2-21 - Maria Assunta Two-Light Sconce - The Maria Assunta FamilyThe fascination with the Maria Assunta two-light wall bracket lies in the uniqueness of the shade. It is the shade that appears to be in the evolution of becoming, a shade that is still in the preliminary state of molten glass, being slowly formed into a design that is still in the artist’s mind. Once regarded as a substitute of the semi-precious stones, glass making evolved in the eastern Mediterranean between 2500 and 1500 BCE. When glass blowing was discovered, it was transformed into an incredible diversity of useful objects. The Maria Assunta shades demonstrate the continuing exploration of the design potential of glass. .  5340-2 - Segovia Wall Sconce by Cristal Lighting - Two features of this unique cast 2-light wall sconce have somewhat unexpected origins. The addition of decorative chain has a precedent in the great sanctuary lamps and hanging lanterns designed by the Moors while they occupied southern Spain. The glass urn forms is frequently identified with the shape of an amphora or an ancient beaker with a pointed bottom. The glass itself is attempting to reproduce the appearance of ancient glass which has weathered or has been buried for centuries - now translucent, mottled, and aesthetically beautiful in its own right.Comes in a Bronze Patina finish with hand painted White Scavo glass. Note:  6011-2 - Valencia Alabaster Semi Flush Mount - On this Empire-inspired semi-flush ceiling mount, intricate detailing on the suspension rod and laurel leaves extending from a rosette clasp on the gold rim of the large bowl reflect the early 19th century admiration of classical Greek and Roman ornamentation.Note:  6495-3-14 - Treviso 3-Light Chandelier - This Murano-inspired chandelier is silver with Chrome accents. 690-6 - Versailles Lorraine Chandelier - This 6-light chandelier has the typical density and richness of the crystal lustres installed in the mid-17th century in France. They would become world-famous and be regarded as templates for reproduction pieces to our time. The combining of a variety of prism shapes had originated a half-century earlier in Italy, but Baroque France was more generous in the number of prisms hung and projected the desired fantasy of prismatic colors. Another French Baroque characteristic is the split socket, here cleverly formed into anthemion, which facilitates the insertion and removal of a candle.Note:  6367-4-8 - Lorenco Four-Light Entry - The Lorenco Family The Lorenco four-light foyer light takes its inspiration from the great hanging iron fixtures of the late Gothic and early Renaissance periods in Western Europe. The outer portion is decorated with simplified arabesque scroll work. The term arabesque, which is used to identify the scrollwork, is commonly associated with Arab workmanship. Although a Persian invention, the scrollwork was incorrectly attributed to Arab origins since the Moors in Spain were such masters of the art. Note: Bulbs not included.  650-16 - Maria Theresa Chandelier by Cristal Lighting - This 16-light Maria Theresa chandelier, as it is still universally known, is a style identified with the 18th century Empress of Austria. Typical of the foreign aristocracy making a state visit to France, and in particular to the Palace of Versailles, the Empress was both awed and enchanted by the magnificent crystal chandeliers of Louis XV's court. Although there were only a few chandelier craftsman in France and they were almost all exclusively patronized, the Empress was able to assert her power to have similar models made and installed in her palaces in Vienna.Note:  6028-6 - Marlena Alabaster Chandelier - Numerous female figures enhance this Empire inspired chandelier with elegantly banded float lamps. The figures decorating the central shaft are the direct result of the late 18th century's interest in classical motifs. Comes in an Umber finish with Cream Alabaster. Note:  5408-2-9 - Sheffield 2-Light Vanity Sconce - A neo-classical 2-lamp Vanity light in an English Toffee Finish. 5285-2-14 - Treviso 2-Light Wall Sconce - A white 2-light wall bracket with hanging glass accents and a Chrome finish. 6071-4 - Turin Alabaster Semi Flush Mount - This Turin semi-flush ceiling mount features a Cream Alabaster bowl, intricate details and decorations, and a classic masterfully replicated "Old Master" patina varnish-rubbing technique.
Note:  6320-4 - Falconette Alabaster Semi Flush Mount - Its intricate detailing and design made this semi-flush ceiling mount a hallmark of the well-appointed Victorian interior.
Note:  6417-1 - Virage Mini Pendant - The Virage Wrought Iron mini pendant features an English Toffee finish. An astonishing complexity of delicately curving lines creates an impression of continuous motion on the Virage family of lighting fixtures. The movement is, however, carefully controlled in order for the design to be fully understood as a unified and comprehensive creation. The restrained curves of the cup-like glass shade works in subtle counterpoint to the decorative linearity of the framework, resulting in an overall composition of grace and beauty.
Note: Bulb not included with this fixture.  5284-2-14 - Treviso 2-Light Wall Sconce - A silver colored, 2-light wall bracket with hanging glass accents and a Chrome finish. 6499-8-14 - Clemente 8-Light Chandelier - This silver chandelier is decorated with delicate spirals, chrome accents and hung with like-colored drops. 5444-1 - Wall Sconce - This intricately detailed wall sconce adds a classic feel to any setting.
Note:  672-6 - Versaille Antoinette Chandelier - This 6-light chandelier demonstrates the move away from the weighty and dense designs of the reign of Louis XIV with its new lyre-shaped framework. The lightness and transparency of this new style allowed for light to pass through the chandelier, while at the same time revealing all the hand-cut crystal pendants. The delicacy of the fixture in combination with the gently lyre curves of the framework suited the new look of the Rococo and remained a very popular style of crystal chandelier to the end of Louis XVI's reign. Note:  6325-3-26 - Scarlatti Three-Light Semi Flush Mount - Although the decorative style of a fixture is incidental to its purpose, its design should be compatible with and enhance the interior of the space where it is installed. This Scarlatti three-light ceiling fixture defies a specific stylistic classification, yet its overall character is unquestionable traditional in spirit. It is an eclectic assemblage of classical and exotic motifs, sinuous curves, anthemion and acanthus leaves, and swirling golden glass, all artfully combined to give visual delight in a richly appointed interior.Features a Burnished Bronze finish on Solid Brass with Gilded Murano glass. Note:  6490-3-33 - Buckingham Multi Light Pendant - This traditionally styled entry light features crystal accents. 6433 - Rondelle Pendant - The Rondelle Pendant creates a dramatic statement with its combination of contrasting textures. The central massing of glass acting as the diffuser consists of overlapping filaments of clear glass fused together while hot, creating an intriguing irregular grid effect. The resulting tactile surface of the glass contrasts with and heightens the smoothness of the luxurious metallic finish of the shallow disk. The finish also adds a subtle tonal quality to the glass diffuser, giving the design of Rondelle a sophisticated unity to the two principal materials of this elegant fixture. Note: Bulbs not included with this fixture. |